This Sunday the 11th November is Armistice Day when this year we commemorate the 100th anniversary of the end of WWI. During this weekend we also remember all those who have lost their lives as well as those who have been affected as a consequence of wars and conflicts up until the present day.
A particularly poignant reminder of the 1914-1918 was the public installation in 2014 at the Tower of London which consisted of 888,246 handmade ceramic poppies each one representing someone killed in WWI. The installation was called Blood Swept Lands and Seas of Red and the title was taken from the line of a poem by an unknown WWI soldier from Derbyshire who joined up in the early days of the war and died at the Front. The poem was contained in the soldier's unsigned will and found by the ceramic artist Paul Cummins among old records in Chesterfield, Derbyshire. The artwork was created by Cummins and the designer Tom Piper. At around sunset each day between the 1st September and the 10th November the names of service personnel were read aloud by a Yeoman Warder of the Tower of London or a guest reader followed by the Last Post bugle call. I was unable to go to London, but a friend sent me photos and gave me a picture (above) which hangs above the desk in our living room and means a lot to me.
Since then, between 2015 and 2018, sections of the installation called Wave and Weeping Window have been installed at significant buildings around England, Northern Ireland, Scotland and Wales.
One of the nearest sites was The Silk Mill, Derby. Again I was unable to go to Derby, but my DiL took photographs for me. Poppies: Weeping Window was a cascade of several thousand of the handmade ceramic poppies. During WWI Derby Silk Mill was divided into two businesses, one grinding corn and the other making medical supplies, both integral to the war effort and scarce by 1916.
(A similar tribute Beyond the Deepening Shadow, in which 10,000 flames have been lit at the Tower of London each evening this year, 2018, ending tomorrow (Armistice Day) has been installed to mark the centenary of the end of the war).
Nearer to home we were able to visit High Bradfield, which is the next village to our own. At St. Nicholas' Church poppy images were projected onto the building in the evenings before the 11th November. School children researched their own family history and made tiles which were placed in the churchyard. It's so important that the younger generations continue to learn about the past and about the consequences of conflict.
St Nicholas' Church, High Bradfield

Over the weekend we'll watch the television broadcasts as the Queen leads the nation in acts of remembrance and tomorrow we shall be at a Remembrance Day service at our parish church. I will think of my Great Uncle Arthur, a casualty of the Somme, who died aged 20 and whose name is included on the Thiepval Memorial, France a section of which is for those who have no known grave. Also for my grandfather, Thomas Henry, who's buried in Le Cateau Military Cemetery, France cared for by the Commonwealth War Graves Commission. He died of his wounds on the 17th December 1917 aged 35 leaving two daughters and a pregnant wife. My father was born on the 27th November 1917. Official news of both men, as was common, was not given until many months later in 1918. I treasure the letters that previously my grandfather had sent to his wife and his sisters and the card with embroidered flowers on it that was sent to his sister, my maternal grandmother, Lauretta ('Ettie') by Great Uncle Arthur.